Evan Dara’s THE LOST SCRAPBOOK pp. 175-225
The patchwork of oral history continues with two long, strange stories, and some smaller pieces that introduce highly specialized knowledge and a peppering of technical language. We meet a character who changes from a “she” to a “he,” and the book begins to embody more characteristics of encyclopedic narrative and postmodern play. While there are a lot of mysteries going on, only one of which is “solved,” there’s still nothing yet about a scrapbook, lost or otherwise (apart from the work itself as a lost scrapbook, of course), but there are more corporate shenanigans.